As was promised earlier today, there is a new YouTube video up and posted on my channel! This one covers topic six of the 2017 YouTube Pagan Challenge: What kind of divination techniques do you prefer? Do you record your divination results in your grimoire? The video has a little bit more show-and-telling of my different decks and tools, but as always, I wanted to post a blog post to accompany it.
My oldest deck is the first pictured above: The Druidcraft Tarot, illustrated by Will Worthington. This is the deck I tend to use for the majority of my readings for other people- at least as far as doing readings in more public settings go. This deck, with a few exceptions, follows the sort of order and style of a traditional Rider-Waite-based deck. Two of those exceptions I remarked on in my video were Cernunnos to replace The Devil, and Rebirth to take the place of The World. Overall, they’re a very easy to read, vibrant, and colorful deck that plays a bit more at the Celtic flavor of things than the traditional Rider-Waite style does. The only slight dilemma with these is that they are huge cards, and a little difficult to shuffle with.
This next deck is The Wildwood Tarot, also illustrated by Will Worthington (I love his art style and the decks with his illustrations if you cannot tell). This deck was purchased some years back- I want to say about four or five now. This is the deck I use almost exclusively for Wylde Hunt-inspired readings. If I need to get in touch with nature, my wild side, my spirit guides associated with the Wylde Hunt, etc. these are my go-to. This deck is a bit different. All of the minor arcana are accompanied with a sort of key-word for the card, the court cards are all animals, the suits are different (stones, vessels, bows, and arrows rather than pentacles, cups, wands, and swords), and many of the major arcana are different. For example see The Woodward in place of Justice, or The Blasted Oak instead of The Tower, above.
As far as the deck I am least connected to (as of right now, at least) goes, it would have to be The Tarot of the Hidden Realm (or Secrets of the Hidden Realm or Tarot of the Hidden Realm? I feel as though I’ve seen the name listed a few different ways, and now I’m feeling like I’m going a little nutty and have been using a wrong name this entire time). This deck is absolutely gorgeous, and I was really excited when I picked it up a few years ago. It seems to come and go in importance for me, though. Not all of the cards have as much of a deep image to probe into as the Will Worthington illustrated decks (which isn’t always a problem, as you’ll see below). Something about the closeness of the people in the images to the foreground of the images and the lack of other imagery (besides the gorgeous Celtic knotwork) makes it difficult sometimes to read the cards. You have to be good at reading the people in the cards for these to really work, and it gets to be difficult at times.
My current working deck will be quite familiar to those of you who have received tarot readings from me online or in-person over the last several months. I actually purchased The Raven’s Prophecy Tarot as a sort of compromise to not getting Th e Wild Unknown Tarot (this was of course before I realised The Wild Unknown was going to be becoming more easily available very very soon). It had that same sort of scratchy style and strange imagery with bright vibrant splashes of color that had drawn me to the other deck. Its almost complete lack of human faces and the darkness of some of the images have really caused me to do some psyche diving with this deck, and working with them is a challenge in all the right ways. Right now it is my absolute favorite deck, and you will probably be seeing a lot more of it in the future.
My cartomancy practices also include oracle decks. The first that I have in my possession is The Heart of Faerie Oracle by Brian Froud. This was one of the treasures I picked up in the month that I studied abroad in the United Kingdom. While poking about shops in Glastonbury, I found this as a used copy in a shop. As it was a) so inexpensive, b) in Glastonbury and I was shopping for some witchy treasure, and c) Brian freaking Froud, I had to get it. Brian Froud is, of course, the conceptual designer behind much of Jim Henson’s Labyrinth, which has been one of my favorite films since I was a small child. Needless to say, this one was coming home with me! This particular deck deals a lot with questions of relationships with others and various archetypes people might take on. It’s a really beautiful and interesting deck to work with.
My other oracle deck is The Wisdom of Avalon Oracle by Colette Baron-Reid. Are you sensing a bit of a Celtic theme here? This one again, deals with different animals sacred to the Celts, archetypes to be found within the Arthurian legends, and some more abstract concepts such as Death or Focus. This was gifted to me by my good friend, Mark, several years ago, and has been a really useful tool when doing simple readings for myself and others.
I don’t limit myself to just card reading, though it is by far my strongest suit. I also have a scrying mirror (which is a dark brown agate slice that I’ve blessed and empowered for that purpose. I have a very difficult scrying in the traditional “look-in-the-mirror-and-see-things” sense, but I’ve had a great deal of luck in placing it under my pillow and interpreting the dreams or meditations that come from that.
I also have two pendulums, both were gifts. One is made of amethyst, and the other from deer antler (that one was actually supposed to be a ceiling fan pull, we believe, but it works quite well as a pendulum!). Pendulum work is really fun and easy to do; both my mom and I have a knack for it, but I find it really limited in its usefulness, so I don’t use it often.
And finally, my Ogham staves. There’s a video floating about YouTube somewhere on an old channel I had about how I had constructed these. They’re basically just flat popsicle stick- type pieces of wood with the Ogham symbols and meanings written upon them. I tried for a very long while to get into using them more often, but I’ve found that I’m a much more visual person. I need the deeper, more detailed imagery of cards in order to really get a feel for the answers I’ve been given. This is the same reason I no longer use Runes in my divination practices.
As far as recording my divination work? I always do. More often than not, it’s simply in the smaller hardcover notebook I carry around, but I do write out the more important and weighty readings or the ones that accompany some form of ritual into my larger Book of Shadows as well. I think it’s always important to record such things because otherwise, it’s very difficult to reflect back and see patterns in personal growth and practice, and how things came to manifest versus how you interpreted them at the time.
Much love and many blessings,