Connecting with the Wylde Hunt

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Friday’s @2019grimoirecchallenge prompt deals with connecting with Otherworldly energies and working with them in spiritual practice. By now, I’ve made it sort of clear which spirits and the like I work closely with, so this post is dedicated to the Wylde Hunt and my experiences working with them.

So, briefly: The Wylde Hunt is a phenomena that occurs across northern and western Europe, and in some parts of North America. It’s characterized by spectral figures, horses, or hounds which ride through the night and generally create some chaos and terror. What it is they’re hunting or changing depends upon the myth you’re reading- in fact a lot of the elements of the hunt vary depends upon the version of the story you’re dealing with. It can include fae, fallen heroes, gods, spirits of the dead, etc. etc. I go a bit more into detail on this in this post here.

My particular Wylde Hunt seems mostly to be human spirits and fae. Goblins are sometimes included in that, and they’re all led by a horned deity that up until very recently I was referring to as Herne, but who has come to be known by a different name, which is mine alone to know.

My work with them started back in October of 2011. I was working on homework the one night and got this sudden and urgent nudging to go outside. I ignored it for probably a good twenty minutes, like “No. I need to finish my homework…” But it persisted, so I grab some tarot cards and a pendulum and head outside. And standing at the firepit in our yard is this beautiful white tail doe. And she stares at me, and we kinda stand there for a bit… and then I gently creep closer… and she bounds off away to stand over on this hill near the tree I usually leave offerings at. So we stare at each other again… and then I gently creep closer once more, until off she bounds into the northwest and disappears into the trees.

Now, this hill was where I was intending to go in the first place; I was really fixated on dragons and leylines and thought there was going to be a connection there or something, but now I was fixated on this deer and the forest- like I could feel her still watching me from the tree line. And the name Wild Hunt kinda… came to me. I’m sure I’d read it in passing a few times; I’d recently started my journey with Celtic paganism, so it was likely it’d come up. But I didn’t have any real prior knowledge or interest in it- until this point. So, I break out the cards and the pendulum, and that becomes the answer I get for the question: “Who’s trying to contact me? / Who has a message for me?”

So I start to do research, and most sources recommend not contacting the Hunt at all, because, well, they’re sort of notorious for being dangerous. But I decide that I’m going to reach out and figure out what they want: so I go back to the hill a couple days later and I say “If you wish for me to work with you, if this is a partnership you’re seeking, let me see crows or ravens within a week’s time.” Crows and ravens are my sort of sign that something is afoot magically speaking, and they’re relatively common in our area. So, when suddenly there’s no sign of them for 6 days… I’m getting worried.

Halfway through the 7th day: I’m waiting for my mom to pick me up from retaking the ACT, and there’s suddenly a whole murder of crows behind me making a whole bunch of noise. And I’m like “Woah. Okay. I hear you.” And I look back towards the parking lot, and beyond it, there’s a hawk or falcon or something that comes up from the forest there, does maybe three circles, and then dips back down into the trees.

It took some time for me to really figure out how they were going to become a part of my practice. Their leader was my patron deity, so that wasn’t so hard to figure, but The Hunt itself is another thing altogether. Like anyone with any real knowledge of fae, I’m reasonably skeptical when it comes to just swearing allegiance to things, making deals, etc. They seemed to enter my life at the most inconvenient times: right when things were tumultuous and changing dramatically. At some point I realized that was probably the point.

In the video post linked above, I discuss my beliefs as to what they are and what purpose they sort of serve in the grander scheme of things: essentially they are psychopomps and agents of necessary destruction and change. They shake things up and carry you from one state of being to the next. When I realized this, they quit being quite as scary.

It was October of 2014, I believe, that I really properly dedicated myself to The Hunt in a formal sense. I had made a poppet to represent myself and taken it under the Hunter’s Moon out into the grove where we did much of our spellwork and gathering. I left it there in the crook of an oak at the center of the grove, I made offerings of alcohol and incense to them, and I swore myself to their service, which included:

  • Maintaining my altar and sacred space as a place for them to rest and visit. Essentially, I entered into a mutual bond of hospitality: when I did journeying work, I often visited their camp. They also were welcome at my hearth.
  • Creating poetry and artwork which focused on their myths and legends as well as my own new experiences with them. I took up the mantle of their bard, and you’ll notice I still write quite a bit of poetry inspired by them.
  • Working with them through periods of change. When I need help to clear the way; when I find myself getting stuck in a rut. I call on them. It’s amazing how much more controlled change can be when you willingly yield to it rather than fighting it. I also became interested in taking a similar role myself: in helping others through periods of transitions. I intend to undertake celebrant training with the OBOD following the completion of the Bardic Grade to work rituals for funerals, weddings, etc. I want to be help in those periods of transition for other people.
  • Developing skills related to hunting, outdoorsmanship, etc. I’ve casually taken up archery as a skill I want to learn. I’ve tried to educate myself whenever possible about things in my local environments: trees, wildlife, stars and the cycles of the seasons. The more I understand, the closer I feel to them. This has also included trying to be more conscious about what things I leave as offerings, recycling, using less energy, etc. to help mitigate at least a little harm done to the environment, and to vote in favor of policies that will benefit and help the natural world. That last part feels more important than ever these days.
  • Riding with the Hunt. I’ve mentioned already that I do journeying and visualization work. Some of it includes riding with the Hunt. This bullet point also includes my beliefs about my afterlife- that I will join them following the end of my life, and ride with them forever more.

These are the terms of my working with them, and are by no means the terms everyone should or would want to seek out.

I contact them in a number of ways but some off the top of my head are:

  • Taking hikes in the forest.
  • Leaving offerings of whiskey, dried meats, or bread.
  • Drumming.
  • Reading my poetry aloud somewhere like my backyard or the forest.
  • Calling to them in ritual work.
  • Visiting their camp in my journeying work.
  • Lighting a candle for them on my altar.

My advice when approaching any entities be they gods, fae, angels, whatever is this: DO YOUR RESEARCH. Know what exactly it is you’re working with, how people have historically interacted with these beings, what sort of tales exist about them, what offerings are common, etc. BE RESPECTFUL! Just like you’d probably be pretty polite and considerate when meeting a new friend or potential employer, you want to be polite and respectful of the powers that be. BE YOURSELF. Don’t go posturing or doing anything unnatural though. They have a sense of humor, and there’s a difference between being polite and serious about what you’re doing and taking yourself too seriously.

Best of luck, and forest blessings,
Rachel

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The Elements as Frame of Reference- Or Why I Don’t Invoke the Quarters

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This week’s #2019GrimoireChallenge prompts include a focus on the elements and other energies that we work with on our respective paths. Having finished up some of the work through the elements in both my OBOD coursework and in my re-reading of The Earth Path, I’ve been thinking much about the elements and how I work with them in my own path.

By the elements of course, I mean Earth, Air, Fire, and Water. They are used widely in the sphere of the neo-pagan community and have come to be sort of a staple for most people’s magical / spiritual education. Everything from astrology, to herbs, crystals, tarot suits, and more are typically associated with an element. There are countless charts of correspondences that you can find in almost any Wiccan / pagan book. For that reason, I’m not going to list any of them here.

For me, however, they are much less a staple of my practice and more of a means of understanding. Like the literal elements make up all of the matter in our world, the four (or five, if you include Spirit) elements make up the myriad of energies we experience. A sunset at the beach includes fire, yes, because of the sun, but you also have water present, the sandy earth, the cool breeze blowing from across the waves. A thunderstorm has water, the rain; air obviously as it takes place in the sky and the clouds, and sound is an important factor; and fire because of the heat that lightning brings. All of these elements are present in any one moment if you’re able to open your awareness to them. I prefer to deal with the energy as a whole- the energy and spirit of the beach at sunset, the energy of the storm as it rages through our little marshland neighborhood. It feels more like a complete picture, and a more dynamic one than focusing just on a singular element. They don’t often exist exclusively in the natural world, so why would I treat them as such in my practice?

I use the elements as a frame of reference for things like divination or astrology. Water signs are emotive and intuitive. Pentacles are associated with Earth and the qualities of stability and groundedness. In this way, they’re symbolic. They help to categorize energy and operate as a system of interpreting the cards, or the planetary alignments. I don’t however, use them often in spell work. I go for plants and crystals that fit my intention- and usually that’s an intuitive process of simply picking up items that seem to “feel right” for whatever I’m working on. Lavender doesn’t feel particularly related to the energies of air to me, but I’ll use it for cleansing or healing, or anything that needs a more gentle and soothing touch to it.

Because for me the elements are sort of a system of understanding, I also don’t partake of the very common practice of invoking them while setting up a circle for ritual space. In doing so, it’s usually assumed that you are calling upon those energies to enter the circle and balance it; so that they are all represented and working in harmony throughout your rite. Aren’t they already? If you’re in a natural space, you can see the fire as light from the sun, the earth beneath your feet, the moisture in the dewy grass, the air moving about you. Even indoors you can: fire- light and heat from your home, air blowing from said furnace or a fan, moisture in the air for water- perhaps literal water you brought into your circle, earth as the stone or wood or whatever floorboards beneath you. Heck, even your body has all of the elements. There’s a chant that goes “Earth my body, water my blood, air my breath, and fire my spirit…” So without even invoking those quarters, I see them as all already being present and already working in some relative harmony.

Because my circle is sacred protected space, and because I choose safe places to enact my rituals, I also don’t think I need to invoke the quarters as watchtowers or to guard my circle in anyway. I’m not worried about random people or random spiritual nonsense coming in and mucking up my rite; I’ve drawn a circle and picked a safe space for working.

I also don’t buy into the notion that invoking them helps to tune one in to the directional orientation of one’s location. If I’m setting up to do ritual in a place, I’ve gotten to know it before hand, and it’s likely a place I visit often. I do call for peace to the four directions, so I will have looked at a compass or something before starting to know where north, south, east, and west are too. Calling quarters for that reason seems, for me, a bit redundant and unnecessary.

That isn’t to say it doesn’t work for most people! By all means, if you really like calling the quarters and focusing on individual elements, go right ahead! But I do encourage you to try it once or twice: focusing on the big-picture energy of something in nature instead of a singular element, or creating a ritual where you don’t invoke the quarters. See what happens! One of the most important parts of a magical or spiritual practice is knowing what does/n’t work for you, and having an informed reason as to why.

Forest Blessings,
Rachel

The Sacred Hearth: The Importance of Fire in my Path

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I’ve been on a bit of a creative streak the past few days. In addition to a new YouTube video, and a number of Tumblr posts, I’ve been working on a personal digitization of my thirteen years’ worth of study. I’m unfortunately not able to share that particular project because of the number of things not properly sourced in it, but I can share some of the ideas that come from it, and the original writing that goes into it.

This particular post is going to deal with fire and more particularly the hearth fire. Some weeks back, I’d made a post detailing my “must-haves” as far as tools of my practice go. In it, I included the lantern which I hold a space for on my altar in honor of my moon goddess, but I realized that I had failed to include something of equal importance as I was working on my larger grimoire project: my small “hearth” which is represented by a miniature chiminea candle holder and a more literal hearth that I carved out of Sculpey to represent the hearth shrine I have within my sacred inner space.

For centuries the hearth or the need-fire was a central part of the household and community. Fire kept predators at bay. It provided warmth, comfort, and light. It provided the heat necessary to perform the alchemy of cooking or preparing medical remedies. It was a gathering place; a place where music, stories, and wisdom were shared among members of the community. And, to an extent, this is still true today. Who doesn’t feel warm and inexplicably at peace and connected while around a bonfire, sitting beside a fireplace, or while cooking in the kitchen? Our modern hearths are a little different, but their sense of sacred energy remains the same.

For me, a large part of my devotional path with the Wylde Hunt revolves around the hearth. I light a candle in the little chiminea at the beginning of ritual. I bring fire there when I’m sitting down to meditate or study. I offer a spot beside the fire in my sacred space for my gods and guides, to share that peace and warmth, to hear their wisdom, to share my music and poetry with them.

The candle holder in question reminds me also of an oven or a forge, and the power fire has to transform matter. Alchemy takes place in the flames, and food or metal is shaped and fired into something new. So I light my candles there also to bring about that power: of turning knowledge gained into wisdom and practice. To forge ideas and energy into manifested results.

How do you represent fire in your sacred space? Which energies of fire do you honor?

Forest Blessings,
Rachel

What Makes a Witch?

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Over on Tumblr (despite all the mess it now is) some folks have started up a #2019GrimoireChallenge which I am participating in. Since I’ve been having some fun with the prompts, I thought I’d share some of my favorite posts from the project here as well.

Tuesday’s prompt for Week 2 was “Witch, what does it mean to you? What type of witch are you?… Are there certain things you plan to learn as a witch? Certain goals you have?”

A witch, to me, is someone who practices witchcraft in some way: this can be spells and rituals, crystal healing, divination, artwork, devotional poetry, yoga, astrology, essentially the crafts of “The Craft”. A witch doesn’t follow a specific religious or spiritual path- they can be atheists, Christian, Wiccan, polytheists of any sort, whatever. Witches and witchcraft, for my definition of the term aren’t bound necessarily by any specific religious or spiritual paradigm, but rather in the practice of those arts.

I personally identify first as a Druid and Bard. My reasons for this are:

1. “Witch” is often conflated with “Wiccan” and as my religious beliefs and practices are NOT Wiccan, I find it easier to start at Druidry. Druidry is a nature-based spiritual philosophy which may be applied to a number of different sects of Celtic (and Indo-European if you’re a member of the ADF) polytheism as well as other more mainstream religious movements. Druidry is focused upon connection, care and respect for the natural world, and expression of creativity- usually with an emphasis on song and poetry I’ve found. It’s usually very much entwined with Celtic cultural values of hospitality, the sacred landscape, good humor and wit, etc. and as a spiritual philosophy is not as necessarily concerned with the “craft” part of my witchcraft definition.

2. My personal practice is, usually a lot less “witchcraft-y” and more spiritual. I spend a great deal more time wandering the woods, contemplating the universe and meditating than I do crafting spells and reading cards. Therefore to call myself solely a witch feels a bit.. fake.

If I were to define the type of witch I was, I would probably call myself a Druid-Witch, or a Witch of the Wild Hunt. Longtime followers of my blog will have noticed (scattered through here and probably difficult to find because when the hell do I ever actually post personal / original content?) that I work specifically with a version of the Wild Hunt and their horned god leader. For me, this path is first and foremost concerned with nature (particularly storms and the forest), connecting with it, knowing my local environment and its cycles and patterns, etc. On another level, I feel very much called to be a bard for said hunter deity. A lot of my path is made up of composing devotional poetry and artwork, recording the tales I uncover as well as my own adventures and growth. This path includes studying patterns of the stars- not just astrology but the actual dance of the constellations across my own sky. It includes keeping my home, and my altar, as hearth for my familiar spirits to rest and to speak with me. It includes journeying through trancework and meditation with those spirits and gods. But it very very rarely includes ritual, spell work, etc. I do those things, but they aren’t the bulk of what makes up my practice.

Right now, my “witchy” goals include finishing up the OBOD Bardic Grade course, learning palmistry, and taking up Welsh and harp playing as devotional work for my gods. There’s a long way to go, but I’m eager to get started.

Tools of the Trade: My Must-Haves

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I want to preface this post by saying that tools and all of the props and decor are not at all necessary for a fulfilling and powerful magical and spiritual practice. What follows are simply my personal beliefs and the tools that have become essential in my own practice. Below are my “must-haves”: the things that I have come to feel are an integral part of how I follow my spiritual path. I won’t include things like candles, herbs, crystals, etc. because they seem a little obvious and

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Drums: I’d been on a hunt for a proper hand drum for ages before finally finding mine in the autumn of 2016. Yes, trance work can be done with chanting, mantras, rattles, etc. I admit that there were things I could have done in the meantime, but found that old baggage about how my voice sounds and personal preferences were holding me back (things I’ve since released). The drum is primal, ancient, earthy. The ability to disappear into the trees and lose myself in a rhythm has been the most cathartic gift to self ever.

img_3048.jpgAthame/Dagger: I began my path with Wicca, in which the Athame, or ritual dagger, holds a great deal of symbolism. My first was actually nothing more than a letter opener, as the Athame is usually not supposed to be sharp. It was something I maintained in my magical arsenal for a long time simply because a) I liked the aesthetic of it, and b) I was the only one in my group of witchy friends who owned one. It was sort of a group-use tool that got brought out for big rituals, but sat on my altar collecting dust otherwise.

A camping trip in 2013, shortly after my journey with the Wylde Hunt had begun really changed the use of the dagger for me. By then, I’d turned 18 and purchased a blade with a bit of an edge to it. Unfortunately, we’d forgotten to pack any form of scissors or utility blade for cutting rope, opening the packages of the food we’d brought, etc. Faced with this dilemma, I came to the conclusion: If a member of the Wylde Hunt was placed in a similar situation, they’d undoubtedly use the blade they had- ritualistic or not.

Ever since the blade has served both purposes for me. It is both there for the ritual symbolism, and a practical tool. Its edge cuts cords and other spell components, primarily. I don’t really do much actual hunting and, thankfully, have never needed to use it for any manner of defensive measures.

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Vessel: Speaking of tools meant mostly for utility purposes: I always keep some manner of bowl/vessel/etc. on my altar. It acts as a containment for water for ritual purposes, acts as a place to put offerings when performing rites indoors, and a safe place for sage bundles and the like when cleansing.

Divination Tools: My spiritual practice began with an interest in divination and it has remained an invaluable tool in my life. Tarot, runes, and a scrying mirror make up the main of my divination practice, though I focus most on tarot. Divination, for me, is both a means for communicating with the divine / universal energies, and recognizing patterns in mundane matters of my life.

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The Lantern: This is the newest tool on the list in terms of its integration into my spiritual practice. After several months of being bombarded in meditations with images of a moon goddess carrying such a lantern, I finally purchased one to place upon the altar. I light this lantern at the beginning of each working and during my study sessions. For me, it is the light of this mysterious goddess guiding me through the dark and murky parts of life. It is a light of guidance, inspiration, hope- an urge to keep going.  It is lit in devotion of the goddess in hopes that her light might show me the way.

And that pretty much concludes my list of “essentials” for my own practice! What sort of tools do you find most important in your practice? What sort of uses do they have? Leave comments below!

Forest Blessings,
Rachel

Thinking About: Personal Deities

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This is a topic I’ve been wanting to take on for some time, but have been unable to find the proper words to do so- perhaps there never really are any. Something I’ve been working on over the past year or so is my relationship with deity. For several years, I’d defined myself and my path by them: “I’m a devotee of Herne the Hunter” or “I worship the Goddess Cerridwen” etc. I spent countless hours reading and re-reading myths, researching, learning, reaching out…

And over time had my own experiences that I then would try to rationalize against the mythologies. “I experienced x, is it y trying to contact me? How do I know?” I see these questions posted all over the online pagan communities- as though you were going to a doctor. List the symptoms, and someone will hopefully be able to tell you what it is you have. List your experiences and maybe someone who’s been practicing and studying longer than you will know the god or goddess who matches.

But when is a raven a messenger of Odin rather than a messenger of Bran or The Morrigan- or none of those at all? What if all signs point to Cerridwen, except this handful of experiences that don’t match anything in the established lore and practice of those already worshiping her? Does it matter? Does it make it less valid? How does one justify it?

What if, as it happened to me in the springtime of last year, you are faced with the divine who is such a myriad of things that she seems not to be able to fit in any one goddess’s body of myth?

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The goddess in question appeared to me in several dreams and meditations cloaked in the deep blue of the starry night, half her face in shadow the other luminescent and beautiful like the moon. She carried in one hand a staff of birch that held a silvery sickle-moon crescent, and in the other a lantern that cast a cool blue light. She was a guardian of the cauldron, a washer of the ford, a wanderer in the mists, the cold kiss of death, the hands that wove the stars… And though I saw her face echoed in the stories of Morrigan, Cerridwen, Arianrhod, Hel, Artemis… I could not attribute a single one of these goddesses to her.

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For a time, she worried and confused me. Who was she? I wanted to find an answer in a book or a blog post, or some obscure myth in fragment over the tides of history. The more I looked, the more pointless the search became, but still she called to me more than any deity ever had, and I knew I must answer her call.

I moved away from myth and tradition- though they have their place as things to honor, to draw inspiration from, to find guidance in- and started to simply interact with deity in the way it presented itself to me. What I have found is something more deep, profound, and personal than any relationship I’ve ever had. There is a goddess I worship whose name has, perhaps, only been whispered on my lips. She guides me in the darkness.

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A similar issue had arisen during college with my relationship with the Horned God. There was a darker side to the Hunter that I did not find present in existing myths, and I tried fruitlessly to pinpoint: Is it Herne, or some other being I work with? Now it does not matter. He appears to me dragon scaled or clad in a cloak of feathers, his eyes dark like the soil or the midnight sky, and like the Lady with the Lantern, he has names that only I call him, and my path is all the richer.

I guess what I am saying is that it is perfectly fine to connect with particular gods and goddesses, to reach for them or find inspiration and connection within the stories that exist about them. It’s more than okay to try and follow traditions and old ways and rationalize. But there’s something deep and rich and worth exploring, in not worrying about the who’s and why’s and letting the divine express themselves to you in the ways that they wish.

Blessings of the Forest, Frost, and Moon,
Rachel

 

Thinking About: Samhain

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A small shrine I set up on my altar. On it, are pieces of jewelry from my mom, my grandmother, and great grandmother.

In this corner of Michigan, it feels almost as though Samhain and Autumn itself have been skipped. The weather has gotten incredibly chilly already, and it seems like the leaves have been dropping a bit faster than they used to. With the all of the warnings about the dangerous changes in the climate, I can definitely feel on these frigid blustery days that something is amiss.

But even the spirit of autumn seems absent. It feels like a dreary veil of grey has sort of fallen over the whole ordeal. Where I would usually be preparing for Samhain, I’m filled with a sort of apathy. Perhaps it’s a reaction to the environment. Perhaps with all that is filling my mind between the horrors of United States politics, the climate, and what’s going on in my own personal life, I just don’t have the energy left.

The time between Mabon, which passed with very little feeling for me this year, and Samhain are usually filled with a great deal of creativity and spiritual activity. The Wylde Hunt appears again in the blustery winds and the rolling thunderstorms. But this year it feels stagnant, and murky. It’s hard to feel as connected as I typically do.

However, I’m of the opinion that succumbing to that feeling of despair and hollowness only gives it a further foothold. Today, after several weeks of disuse, I approached my altar, lit some candles, placed some items in its center to honor my ancestors and family. The feelings of autumn might feel missing, but there is still time to reflect; to tend to the decaying and changing happening under the surface; to honor what was, what is, and what shall be; and to reach out and feel that yes, those energies are still there even when we don’t feel them to be present in our lives.

I suspect Samhain will be a quiet one for me this year. There’s much to think about, and much that needs to change- on a global level and a personal level. Last year was about re-attuning to the cycles and finding the rhythm without the old markers for shifts in the seasons. This year has been a lesson in subtlety, and feeling connected even when it feels most difficult to do so.

What are your plans for Samhain? How are you preparing for the darker part of the year, and the changes still ahead?

Forest Blessings,
Rachel

Lughnasadh Reflections

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While last summer seemed to stretch on forever this one has just flown by. Lughnasadh has passed and though there’s a stretch of muggy days left, fall is coming, and I am very much ready for its return. I’ve now completed a little over a year working in the RV industry, and August heralds the winding down of the camping season, and a slower pace of work. It is both relieving (fewer people in the store, fewer broken parts to match up, etc.) and worrisome; the days at work seem longer when there’s less to do and it can be agonizingly boring at times. I fear stagnation and falling into a lull as the days grow quiet and dark.

This year was the first that I did not craft a “wicker” man to toss into a bonfire on Lughnasadh. This past year or so, as I’ve mentioned in earlier posts, has been strange. I’m finding myself without the people and traditions that used to act as markers for my point of being in the cycles of time. It was a little disorienting, and I’m still not quite sure how I feel about it exactly other than it was just… weird.

All the same, Lughnasadh has come to take on yet another new meaning for me (I was musing as I wrote this post that it seems to be one of the festivals that changes for me in subtle ways all the time, and yet still remains my favorite of the eight). Rather than being a time to prepare and gear up for school and for being extremely active in an academic/work sense, it is now a time to breath a little sigh. I can look forward to quieter days ahead, more opportunity to take time off, my favorite local festivals and events, etc. It’s almost taken on a completely opposite meaning, and yet… It also heralds a time for myself to get working on projects. Newfound free time means work should be done on things like the blog, steps towards my future, my art, etc. It is only in working through these things I’ll avoid the brainfog that seemed to settle in between about November and June for me.

What is your relationship with the first harvest? How and when do/did you celebrate it?

Yours among the ripening apples,
Rachel

How To: Create Tarot Spreads

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Creating spreads for use with tarot can be an immensely rewarding practice. It can deepen your relationship with your cards and your knowledge of the tarot as well as providing more clear and specific information than a traditional spread might. Have you ever stared at a beautifully laid out Celtic Cross spread and puzzled over how exactly to interpret the card that came up, the position name, and your question all into one coherent answer? Perhaps it’s time to start building your own spreads! Below I’ve given three methods I use when creating spreads to use in readings for myself and friends.

Method One: Start With a Question

Seems easy enough, right? Sometimes, especially if you’re building spreads on the fly, it’s easiest to start with the question at hand. Let’s use one I’ve created as an example.

Two Paths Tarot Spread

I call this spread my “Two Paths Spread”. It was created when I needed some help deciding between a couple of different paths through the treacherous maze of my college education. I began with a simple “What happens if I choose X? What about Y?”

Then, I broke down what information I needed in order to feel that larger question was satisfactorily answered. I needed to know, for each path, the pros and the cons of choosing each path. I wanted to know what my biggest challenge would be on that path, and also how I’d best be able to overcome that challenge. Finally,  I wanted to know where I would most likely end up if I chose that path and followed the advice I’d been given.

I laid the cards out into two rows, one representing choice one, and the other choice two, and voila! The spread was born. To this day, this particular spread remains my most useful, as it can be applied to any number of choices. Stuck between three choices? Add another row! It’s pretty versatile and is driven by the questions I specifically want answered about a particular situation.

Method Two: Start With and Significator

Many spreads ask you to use an significator, a card chosen to represent yourself, the issue at hand, or the goal you want to achieve. Sometimes, picking an significator can be another great way to get some ideas for a spread. I’ll give a couple of examples:

Ace of Cups Spread

This particular spread was created for a friend, I call it the Ace of Cups Spread (simple, right?). He’d been having the Ace of Cups appear repeatedly and felt called to pursue the vibrant, healing, creative, and intuitive energy of the Ace of Cups, but wasn’t exactly sure how. 

So, I pulled the Ace of Cups from the deck to act as a significator, and placed it in the middle. Then, much like the last spread, I thought about what sort of answers we might want. The Ace of Cups, to me, always represented that which fulfills you spiritually, emotionally, and creatively. It is the Holy Grail. The cauldron of Awen bubbling forth. I wanted to show a comparison of how one is living in the present, and what modes of life would be more fulfilling in the ways the Ace of Cups is. So the questions “What am I doing now?” and “What do I want most to be doing?” were the first two cards to be placed in the spread.

No grail can be found without a quest. So I asked “What is it I lack to find this fulfillment?” and then “Where do I find that missing piece?” The final questions were about “Which blockages or challenges will I find along this path?” and “How do I overcome them to achieve that fulfillment?”

The Hunter's Arrow

Another spread I built around the use of a significator was The Hunter’s Arrow. It was meant to be used for pursuing a goal or a project through to fruition. Here, I also used the shape of a bow and arrow for inspiration. In this spread, the significator is chosen to represent the goal you have, and is placed right at the tip of the arrow. In the image above, it is represented by the Seven of Wands.

I used the shape of the bow as well as the answers I needed to formulate the rest of my questions. The curve of the bow itself represents resources readily at hand for accomplishing the task. The card directly behind the arrow’s point is the action needed to propel ones self in the right direction, and the three cards to the right represent short-term and long-term outcomes and the way in which the project may be transformed in the process.

Method Three: Start With an Image

The third way that I craft my spreads is to begin with an image as inspiration, much like some of the spreads I’ve crafted in the shapes of the constellations.

Orion Spread with Runes

Here is the Orion the Hunter spread I posted just a few days ago (I used runes because they photographed a little bit better in a confined space). Here I began with the image of one of my favorite constellations. I ordered the cards by the brightness of the stars (found in the index of Sandra Kynes book, Star Magic: The Wisdom of the Constellations for Wiccans and Pagans) and used both my personal associations with the constellation and folklore and mythos surrounding it to create the spread.

For me, Orion has always been a point of strength and familiarity when things get rough (cyclically in my life, usually in the fall and winter when he can be found in the southern skies of my home). I always felt that he was watching over me and lending me his strength (Kynes’ book also mentions the constellation’s associations with storms, rough times, and of course a number of warrior/hunter gods and heroes in myth). For this spread, I asked questions about the nature of my struggle, what things I had at my disposal, how I might shield myself, how to keep my wits about me when times were particularly rough.

The Raven's Prophecy Tarot

And that wraps up my process! The essential this really is breaking a question or a situation down into bite sized pieces of information to glean from it. You can start with a big question, a feeling or a goal you want to achieve, or an image you’re inspired by. The possibilities are limited only to you imagination.

Do you create tarot spreads? What is your process? Share your thoughts in the comments below!

Yours beneath the falling rain,
Rachel

Full Moon Tarot Readings for March 2018

Virgo Full Moon.png

It’s that time again: For the March 1st 2018 Virgo Full Moon, I will be offering three free readings. The energy of the Virgo Full Moon, particularly at the beginning of the month, is perfect for getting one’s ducks in a row, doing some early spring cleaning, and making sure your foundation is stable before reaching forward towards a new goal. What better way to tap into that energy than with a tarot reading?

As always, these free readings will include a picture of your reading, and a detailed interpretation of the spread. These will be given on a first-come, first-serve basis.

There are two methods by which you may contact me for this service: via the contact page on this blog, or via the “ASK” button on my Tumblr account. Please, in the greeting for your request include the month/year you are requesting a reading for (example: ‘Hi, I’m _______. I’d like to request a slot for the full moon of January 2017!’) so that I can keep them all separate in my inboxes. Then, feel free to leave me a question you’d like answered or a brief explanation of a situation you’d like a reading on. If you message me on Tumblr, please include an e-mail address to which I can send your reading once it is finished.

Some helpful tips are included on my tarot readings page on this blog.

I look forward to hearing from you! And I’m super excited to be able to do this again.

Forest Blessings,
Rachel