Connecting with the Wylde Hunt

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Friday’s @2019grimoirecchallenge prompt deals with connecting with Otherworldly energies and working with them in spiritual practice. By now, I’ve made it sort of clear which spirits and the like I work closely with, so this post is dedicated to the Wylde Hunt and my experiences working with them.

So, briefly: The Wylde Hunt is a phenomena that occurs across northern and western Europe, and in some parts of North America. It’s characterized by spectral figures, horses, or hounds which ride through the night and generally create some chaos and terror. What it is they’re hunting or changing depends upon the myth you’re reading- in fact a lot of the elements of the hunt vary depends upon the version of the story you’re dealing with. It can include fae, fallen heroes, gods, spirits of the dead, etc. etc. I go a bit more into detail on this in this post here.

My particular Wylde Hunt seems mostly to be human spirits and fae. Goblins are sometimes included in that, and they’re all led by a horned deity that up until very recently I was referring to as Herne, but who has come to be known by a different name, which is mine alone to know.

My work with them started back in October of 2011. I was working on homework the one night and got this sudden and urgent nudging to go outside. I ignored it for probably a good twenty minutes, like “No. I need to finish my homework…” But it persisted, so I grab some tarot cards and a pendulum and head outside. And standing at the firepit in our yard is this beautiful white tail doe. And she stares at me, and we kinda stand there for a bit… and then I gently creep closer… and she bounds off away to stand over on this hill near the tree I usually leave offerings at. So we stare at each other again… and then I gently creep closer once more, until off she bounds into the northwest and disappears into the trees.

Now, this hill was where I was intending to go in the first place; I was really fixated on dragons and leylines and thought there was going to be a connection there or something, but now I was fixated on this deer and the forest- like I could feel her still watching me from the tree line. And the name Wild Hunt kinda… came to me. I’m sure I’d read it in passing a few times; I’d recently started my journey with Celtic paganism, so it was likely it’d come up. But I didn’t have any real prior knowledge or interest in it- until this point. So, I break out the cards and the pendulum, and that becomes the answer I get for the question: “Who’s trying to contact me? / Who has a message for me?”

So I start to do research, and most sources recommend not contacting the Hunt at all, because, well, they’re sort of notorious for being dangerous. But I decide that I’m going to reach out and figure out what they want: so I go back to the hill a couple days later and I say “If you wish for me to work with you, if this is a partnership you’re seeking, let me see crows or ravens within a week’s time.” Crows and ravens are my sort of sign that something is afoot magically speaking, and they’re relatively common in our area. So, when suddenly there’s no sign of them for 6 days… I’m getting worried.

Halfway through the 7th day: I’m waiting for my mom to pick me up from retaking the ACT, and there’s suddenly a whole murder of crows behind me making a whole bunch of noise. And I’m like “Woah. Okay. I hear you.” And I look back towards the parking lot, and beyond it, there’s a hawk or falcon or something that comes up from the forest there, does maybe three circles, and then dips back down into the trees.

It took some time for me to really figure out how they were going to become a part of my practice. Their leader was my patron deity, so that wasn’t so hard to figure, but The Hunt itself is another thing altogether. Like anyone with any real knowledge of fae, I’m reasonably skeptical when it comes to just swearing allegiance to things, making deals, etc. They seemed to enter my life at the most inconvenient times: right when things were tumultuous and changing dramatically. At some point I realized that was probably the point.

In the video post linked above, I discuss my beliefs as to what they are and what purpose they sort of serve in the grander scheme of things: essentially they are psychopomps and agents of necessary destruction and change. They shake things up and carry you from one state of being to the next. When I realized this, they quit being quite as scary.

It was October of 2014, I believe, that I really properly dedicated myself to The Hunt in a formal sense. I had made a poppet to represent myself and taken it under the Hunter’s Moon out into the grove where we did much of our spellwork and gathering. I left it there in the crook of an oak at the center of the grove, I made offerings of alcohol and incense to them, and I swore myself to their service, which included:

  • Maintaining my altar and sacred space as a place for them to rest and visit. Essentially, I entered into a mutual bond of hospitality: when I did journeying work, I often visited their camp. They also were welcome at my hearth.
  • Creating poetry and artwork which focused on their myths and legends as well as my own new experiences with them. I took up the mantle of their bard, and you’ll notice I still write quite a bit of poetry inspired by them.
  • Working with them through periods of change. When I need help to clear the way; when I find myself getting stuck in a rut. I call on them. It’s amazing how much more controlled change can be when you willingly yield to it rather than fighting it. I also became interested in taking a similar role myself: in helping others through periods of transitions. I intend to undertake celebrant training with the OBOD following the completion of the Bardic Grade to work rituals for funerals, weddings, etc. I want to be help in those periods of transition for other people.
  • Developing skills related to hunting, outdoorsmanship, etc. I’ve casually taken up archery as a skill I want to learn. I’ve tried to educate myself whenever possible about things in my local environments: trees, wildlife, stars and the cycles of the seasons. The more I understand, the closer I feel to them. This has also included trying to be more conscious about what things I leave as offerings, recycling, using less energy, etc. to help mitigate at least a little harm done to the environment, and to vote in favor of policies that will benefit and help the natural world. That last part feels more important than ever these days.
  • Riding with the Hunt. I’ve mentioned already that I do journeying and visualization work. Some of it includes riding with the Hunt. This bullet point also includes my beliefs about my afterlife- that I will join them following the end of my life, and ride with them forever more.

These are the terms of my working with them, and are by no means the terms everyone should or would want to seek out.

I contact them in a number of ways but some off the top of my head are:

  • Taking hikes in the forest.
  • Leaving offerings of whiskey, dried meats, or bread.
  • Drumming.
  • Reading my poetry aloud somewhere like my backyard or the forest.
  • Calling to them in ritual work.
  • Visiting their camp in my journeying work.
  • Lighting a candle for them on my altar.

My advice when approaching any entities be they gods, fae, angels, whatever is this: DO YOUR RESEARCH. Know what exactly it is you’re working with, how people have historically interacted with these beings, what sort of tales exist about them, what offerings are common, etc. BE RESPECTFUL! Just like you’d probably be pretty polite and considerate when meeting a new friend or potential employer, you want to be polite and respectful of the powers that be. BE YOURSELF. Don’t go posturing or doing anything unnatural though. They have a sense of humor, and there’s a difference between being polite and serious about what you’re doing and taking yourself too seriously.

Best of luck, and forest blessings,
Rachel

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Why Magic Flops

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My boyfriend and I were talking earlier this morning, and the discussion inspired me to write this post. Currently, we’re in the waiting process of seeing which vehicle my parents are going to give me to move out of state with: my mom’s current SUV, or a minivan he just purchased from a friend of his. Having learned how to drive in my mom’s SUV, and being in my 20′s, I think which my preference is probably very obvious.That being said, I also will be grateful for whichever I end up with, and will make it work.

I said that I was going to do a little manifesting to get the outcome I desired, and he said to me: “We shall see, for now prep for the van.” And my boyfriend, bless him, is a realist. He’s the real logical type: doesn’t believe shit until he sees it, makes sure all the ducks are in a row before he acts, typical Virgo? (I joke, but you get the idea.) But I realized that that very way of thinking is behind a lot of the circle of chaos that went on in my life, and is the reason why spells sometimes just don’t fucking work.

Let me explain.

Magic operates on the principle of mind over matter. One sends their will and intention out into the Universe, and that ripples and creates changes in the real physical manifest reality. That’s why intent and focus are so important when working spell work. The idea is that you want to put as much energy and conviction behind that “X will happen” as you can muster. The stronger your force, the more likely it’ll be to happen.

But it’s not just during the spell that you have to maintain your intentions. For months and months and months I did work on gaining personal freedom and getting out of my parents’ house. In my rituals and visualizations, I was very sure and firm in my intent. But step outside the circle, and I was running myself ragged worrying about “what if this doesn’t work?” “what if my parents change their minds again?” “what happens if I don’t pass my driving test?” “what if I’m stuck here for another several months?” And those thoughts, the frantic planning for the worst case scenario or anything other than what I was trying to manifest was interfering with any of the work that I did in ritual.

However, the second I stepped back, breathed, and said “What happens, happens. I’m going to do what I can in the present and release all of my fears and worries for the future”… Well, that’s when the magic happened. I got my license. I was able to have civil conversation with my dad about a car. He got the extra car. Things are falling into place, and now I have a date for moving down to Georgia.

The trick is not in “planning for the worst and making sure your ass is covered”. Certainly, that’s a way to go about things, and I’m not saying you shouldn’t be prepared in the event that something goes completely awry. But, if you plan as though the best will happen, and do the work of making sure you’re doing everything on a non-magical level to get that outcome, and not panicking over the future or possible outcomes, success is much more likely.

This takes time. I still find myself worrying about “What if I can’t find a job down there once I move?” and “How will I pay my student loan payments if I can’t find a job right away?” Worrying about these things is normal- and I think very ingrained in our social upbringing these days.

One visualization I’ve been using is picturing myself standing on a cliff, looking out over a vast sea. In my hand is something that represents that worry: a bird, a paper airplane, a pile of pebbles, etc. And I take a deep breath, I reaffirm my intentions for a positive outcome, and for releasing the fear and worry that holds me back, and I release the bird, the rocks, whatever out over the cliff and into the sea. I know that it has been carried away from me and will no longer hinder my work of building a better future.

In conclusion: intent during the spell or ritual is important, but it’s also important to maintain that intent outside of the ritual space too. Otherwise, worry and fear act against you and sabotage all of your magical work.

Forest Blessings,
Rachel

Connecting With Star Energy

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Another little something from the Tumblr #2019GrimoireChallenge.

A large part of my practice and spirituality revolve around my connection with stars. I have been fascinated with the night sky and space since I was a little kid, and I’ve always felt most “witchy” or “druid-y” while stargazing on a summer night, or realizing that a specific planet or constellation was overhead in the dead of winter.

It has always frustrated me to no end that there aren’t more books on the topic. Sure. We draw down the Moon or the Sun, but the stars are beautiful and powerful and good for something other than interpreting astrological information! Sandra Kynes wrote a really lovely book entitled Star Magic: The Wisdom of Constellations for Wiccans & Pagans which was sort of what really kicked my interest in incorporating stars into my regular practice. So here are some ways that I work with stars, and some ideas you may want to try.

Stargazing / Astronomical Knowledge: For me, the seasons are just as much about what stars I can see in the sky at a given time as they are about the weather and agricultural cycles. I follow NASA’s social media accounts, my local planetarium’s listings, and other stuff to keep track of things like meteor showers, which constellations or planets will be hanging out in the sky, eclipses, etc. I also take as many opportunities as possible to attend the planetarium’s programs. Last month I saw one about black holes. My boyfriend and I went to watch a documentary about Mars, and another about Saturn as date night ideas. It’s fun, you learn lots, and it deepens your understanding of the Universe, and your own local night sky.

Some stars have also been important for centuries and were named by ancient and medieval astronomers. Old alchemical texts suggest what these stars’ properties were and can provide another fun historical / scientific learning experience.

Drawing Down Star Energy: Just like one might draw down the Moon or Sun in ritual, you can totally draw down the stars, too! Some stars, as I mentioned above, were long associated with specific magical properties. You could find where they are in your night sky, and draw on them specifically for a particular spell. You could call, for example, on Polaris (The North Star) for guidance and clear direction. Maybe there’s a meteor shower situated in the constellation Orion; you could time your ritual so that you could draw on the warrior/hunter energies of that particular constellation to help you with a particular goal. Or, just let the silver, shimmery, peaceful light of the stars and the vastness of the Universe shine down on you and your energy.

Constellations / Star Symbols as Magical Sigils: I like to use the patterns of the constellations as sigils to charge my spells or to help myself through tough times. One I use a LOT is Orion; he represents for me a fighting spirit, perseverance, and is usually high in the sky when I’m at the peak of my seasonal depression episodes. It always felt like he’s been cheering me on, and so I will utilize that constellation pattern in work geared towards pushing through tough times. Some of the named stars also have symbols associated with them. I’ve used them in crafting sigils from time to time.

Making Tarot Spreads: I like to make tarot spreads to use based on the constellations as well. For this, I usually take into context the mythology behind the constellation as well as personal significance, and then come up with questions or information I’d want to receive from that particular energy. An example of one I made using the constellation Orion can be found here.

These are the specific ways I’ve been incorporating my love of the night sky into my practice. I’ve come across a book that reinterprets the constellations in context of The Mabinogion called Dark Land, Dark Skies: The Mabinogion in the Night Sky by Martin Griffiths. As a Druid, this book has been super exciting, because it makes for a sort of Celtic understanding of the constellations. It is a bit dense though as far as scientific language goes, so it’s been a slow read. It’s encouraged me to make up my own interpretations as well in relation to The Wylde Hunt- sort of a bit of creative fun! I’m also currently working on developing a sort of rune system using constellations, planets, and specific stars, but it’s not quite ready to be shared yet!

Do you work with stars? How do you bring them into your magical practice?

Happy Stargazing,
Rachel

What Makes a Witch?

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Over on Tumblr (despite all the mess it now is) some folks have started up a #2019GrimoireChallenge which I am participating in. Since I’ve been having some fun with the prompts, I thought I’d share some of my favorite posts from the project here as well.

Tuesday’s prompt for Week 2 was “Witch, what does it mean to you? What type of witch are you?… Are there certain things you plan to learn as a witch? Certain goals you have?”

A witch, to me, is someone who practices witchcraft in some way: this can be spells and rituals, crystal healing, divination, artwork, devotional poetry, yoga, astrology, essentially the crafts of “The Craft”. A witch doesn’t follow a specific religious or spiritual path- they can be atheists, Christian, Wiccan, polytheists of any sort, whatever. Witches and witchcraft, for my definition of the term aren’t bound necessarily by any specific religious or spiritual paradigm, but rather in the practice of those arts.

I personally identify first as a Druid and Bard. My reasons for this are:

1. “Witch” is often conflated with “Wiccan” and as my religious beliefs and practices are NOT Wiccan, I find it easier to start at Druidry. Druidry is a nature-based spiritual philosophy which may be applied to a number of different sects of Celtic (and Indo-European if you’re a member of the ADF) polytheism as well as other more mainstream religious movements. Druidry is focused upon connection, care and respect for the natural world, and expression of creativity- usually with an emphasis on song and poetry I’ve found. It’s usually very much entwined with Celtic cultural values of hospitality, the sacred landscape, good humor and wit, etc. and as a spiritual philosophy is not as necessarily concerned with the “craft” part of my witchcraft definition.

2. My personal practice is, usually a lot less “witchcraft-y” and more spiritual. I spend a great deal more time wandering the woods, contemplating the universe and meditating than I do crafting spells and reading cards. Therefore to call myself solely a witch feels a bit.. fake.

If I were to define the type of witch I was, I would probably call myself a Druid-Witch, or a Witch of the Wild Hunt. Longtime followers of my blog will have noticed (scattered through here and probably difficult to find because when the hell do I ever actually post personal / original content?) that I work specifically with a version of the Wild Hunt and their horned god leader. For me, this path is first and foremost concerned with nature (particularly storms and the forest), connecting with it, knowing my local environment and its cycles and patterns, etc. On another level, I feel very much called to be a bard for said hunter deity. A lot of my path is made up of composing devotional poetry and artwork, recording the tales I uncover as well as my own adventures and growth. This path includes studying patterns of the stars- not just astrology but the actual dance of the constellations across my own sky. It includes keeping my home, and my altar, as hearth for my familiar spirits to rest and to speak with me. It includes journeying through trancework and meditation with those spirits and gods. But it very very rarely includes ritual, spell work, etc. I do those things, but they aren’t the bulk of what makes up my practice.

Right now, my “witchy” goals include finishing up the OBOD Bardic Grade course, learning palmistry, and taking up Welsh and harp playing as devotional work for my gods. There’s a long way to go, but I’m eager to get started.

Thinking About: My Neo-Paganism

The Wild Unknown Tarot and Candle

Today, I was forwarded an article by Sarah Anne Lawless, titled “For Sale: Neopganism ‘As Is'”. It’s a powerful read, and I do recommend you head over and give it a look if you haven’t seen it floating about the good ol’ neopagan / witchy online community already. I won’t expound too much upon the details within the article. This is meant to be a response to it, not a review or criticism of it. In this poignant work of prose, Sarah Anne Lawless calls attention to the misinformation, lack of consistency, and abuse facing the community at-large.

Some of the information presented: about the origins of the religious and spiritual movements I have been / currently am a part of, about some of the abuse within the community, about the incorrect ‘historical’ information that is often given in widely published books on the topic, was not foreign to me. I spent a great deal of time in my under-grad applying my newly-acquired skills of research to that which was near and dear to my heart: my spirituality.  Some of the information was new, and I admit I was a little heart-broken to hear so many stories of abuse and manipulation associated with something that has brought me so much joy, learning, and purpose in life.

With the negativity floating about in the rest of the world and with as entrenched into the neo-pagan community as these issues seem, it feels very easy to become dejected and hopeless. I don’t want to let that get me down; I want to use it as a motivation for change.

My response to this article is not to review it and dissect it, but to acknowledge that there are real problems that I as a young adult within the community, as a blogger, as a person capable of speaking out about these things want to work to change- and must change if I want the neo-pagan community to be a safe place in the future for myself, for my friends, and for the future generations.

I wanted this post to be a promise to myself, to those who follow this blog, and those affected by my actions within the community:

This is a promise that I will be one-hundred percent honest in the historical context of my spiritual traditions. That I will not willing spread mis-information, and work to correct it should I accidentally do so. That my study will be not of just mass-produced books touting appropriation and misinformation as “ancient tradition” but tempered with actual research, and acknowledgement of what I was inspired by and what is of my own creation. I will not stand for blatantly appropriative behavior in the community. We can share and be inspired by one-another without claiming something as our own.

This is a promise that my neo-paganism is centered in nature-centric and animistic beliefs, and that it honors the past without attempting to claim it. It is a promise that sex and sexuality, while natural, are honored and treated appropriately. I will not stand for sexual abuse in our community. I will not stand for manipulation and abuse of any sort within our community.

This is a promise that my blog and the spaces that I hold on the internet are, and will continue to be safe spaces for people regardless of age, sex, gender, race, etc.

This post stands as an acknowledgement that I am not, and never have been perfect. Humans make mistakes. Well-meaning people spread things without realizing the effect. But this is a promise that I will continue to try and do better in the future.

Let’s make our community better. Let’s get back to the things that matter: personal spiritual growth and caring for one another and our world.

Forest Blessings,
Rachel

Thinking About: Personal Deities

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This is a topic I’ve been wanting to take on for some time, but have been unable to find the proper words to do so- perhaps there never really are any. Something I’ve been working on over the past year or so is my relationship with deity. For several years, I’d defined myself and my path by them: “I’m a devotee of Herne the Hunter” or “I worship the Goddess Cerridwen” etc. I spent countless hours reading and re-reading myths, researching, learning, reaching out…

And over time had my own experiences that I then would try to rationalize against the mythologies. “I experienced x, is it y trying to contact me? How do I know?” I see these questions posted all over the online pagan communities- as though you were going to a doctor. List the symptoms, and someone will hopefully be able to tell you what it is you have. List your experiences and maybe someone who’s been practicing and studying longer than you will know the god or goddess who matches.

But when is a raven a messenger of Odin rather than a messenger of Bran or The Morrigan- or none of those at all? What if all signs point to Cerridwen, except this handful of experiences that don’t match anything in the established lore and practice of those already worshiping her? Does it matter? Does it make it less valid? How does one justify it?

What if, as it happened to me in the springtime of last year, you are faced with the divine who is such a myriad of things that she seems not to be able to fit in any one goddess’s body of myth?

Moon Goddess
The goddess in question appeared to me in several dreams and meditations cloaked in the deep blue of the starry night, half her face in shadow the other luminescent and beautiful like the moon. She carried in one hand a staff of birch that held a silvery sickle-moon crescent, and in the other a lantern that cast a cool blue light. She was a guardian of the cauldron, a washer of the ford, a wanderer in the mists, the cold kiss of death, the hands that wove the stars… And though I saw her face echoed in the stories of Morrigan, Cerridwen, Arianrhod, Hel, Artemis… I could not attribute a single one of these goddesses to her.

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For a time, she worried and confused me. Who was she? I wanted to find an answer in a book or a blog post, or some obscure myth in fragment over the tides of history. The more I looked, the more pointless the search became, but still she called to me more than any deity ever had, and I knew I must answer her call.

I moved away from myth and tradition- though they have their place as things to honor, to draw inspiration from, to find guidance in- and started to simply interact with deity in the way it presented itself to me. What I have found is something more deep, profound, and personal than any relationship I’ve ever had. There is a goddess I worship whose name has, perhaps, only been whispered on my lips. She guides me in the darkness.

Horned God

A similar issue had arisen during college with my relationship with the Horned God. There was a darker side to the Hunter that I did not find present in existing myths, and I tried fruitlessly to pinpoint: Is it Herne, or some other being I work with? Now it does not matter. He appears to me dragon scaled or clad in a cloak of feathers, his eyes dark like the soil or the midnight sky, and like the Lady with the Lantern, he has names that only I call him, and my path is all the richer.

I guess what I am saying is that it is perfectly fine to connect with particular gods and goddesses, to reach for them or find inspiration and connection within the stories that exist about them. It’s more than okay to try and follow traditions and old ways and rationalize. But there’s something deep and rich and worth exploring, in not worrying about the who’s and why’s and letting the divine express themselves to you in the ways that they wish.

Blessings of the Forest, Frost, and Moon,
Rachel

 

Thinking About: Samhain

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A small shrine I set up on my altar. On it, are pieces of jewelry from my mom, my grandmother, and great grandmother.

In this corner of Michigan, it feels almost as though Samhain and Autumn itself have been skipped. The weather has gotten incredibly chilly already, and it seems like the leaves have been dropping a bit faster than they used to. With the all of the warnings about the dangerous changes in the climate, I can definitely feel on these frigid blustery days that something is amiss.

But even the spirit of autumn seems absent. It feels like a dreary veil of grey has sort of fallen over the whole ordeal. Where I would usually be preparing for Samhain, I’m filled with a sort of apathy. Perhaps it’s a reaction to the environment. Perhaps with all that is filling my mind between the horrors of United States politics, the climate, and what’s going on in my own personal life, I just don’t have the energy left.

The time between Mabon, which passed with very little feeling for me this year, and Samhain are usually filled with a great deal of creativity and spiritual activity. The Wylde Hunt appears again in the blustery winds and the rolling thunderstorms. But this year it feels stagnant, and murky. It’s hard to feel as connected as I typically do.

However, I’m of the opinion that succumbing to that feeling of despair and hollowness only gives it a further foothold. Today, after several weeks of disuse, I approached my altar, lit some candles, placed some items in its center to honor my ancestors and family. The feelings of autumn might feel missing, but there is still time to reflect; to tend to the decaying and changing happening under the surface; to honor what was, what is, and what shall be; and to reach out and feel that yes, those energies are still there even when we don’t feel them to be present in our lives.

I suspect Samhain will be a quiet one for me this year. There’s much to think about, and much that needs to change- on a global level and a personal level. Last year was about re-attuning to the cycles and finding the rhythm without the old markers for shifts in the seasons. This year has been a lesson in subtlety, and feeling connected even when it feels most difficult to do so.

What are your plans for Samhain? How are you preparing for the darker part of the year, and the changes still ahead?

Forest Blessings,
Rachel

Full Moon Tarot Readings for August 2018

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After several months of not doing these readings, I’d like to open up the contact box again for the Full Moon in Pisces on August 26th. The dreamy and intuitive Pisces moon follows a busy and seemingly very fast-paced summer full of several eclipses, retrogrades and other events. As the light part of the year and all of that energy starts to simmer down, it grants us perfect opportunity to reflect and really sift through all of what has happened in the past months. So why not do so with some tarot readings?

This month, I’m offering five free spots for a tarot reading on the upcoming full moon.

As always, these free readings will include a picture of your reading, and a detailed interpretation of the spread. These will be given on a first-come, first-serve basis.

There are two methods by which you may contact me for this service: via the contact page on this blog, or via the “ASK” button on my Tumblr account. Please, in the greeting for your request include the month/year you are requesting a reading for (example: ‘Hi, I’m _______. I’d like to request a slot for the full moon of January 2017!’) so that I can keep them all separate in my inboxes. Then, feel free to leave me a question you’d like answered or a brief explanation of a situation you’d like a reading on. If you message me on Tumblr, please include an e-mail address to which I can send your reading once it is finished.

Some helpful tips are included on my tarot readings page on this blog.

Lughnasadh Reflections

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While last summer seemed to stretch on forever this one has just flown by. Lughnasadh has passed and though there’s a stretch of muggy days left, fall is coming, and I am very much ready for its return. I’ve now completed a little over a year working in the RV industry, and August heralds the winding down of the camping season, and a slower pace of work. It is both relieving (fewer people in the store, fewer broken parts to match up, etc.) and worrisome; the days at work seem longer when there’s less to do and it can be agonizingly boring at times. I fear stagnation and falling into a lull as the days grow quiet and dark.

This year was the first that I did not craft a “wicker” man to toss into a bonfire on Lughnasadh. This past year or so, as I’ve mentioned in earlier posts, has been strange. I’m finding myself without the people and traditions that used to act as markers for my point of being in the cycles of time. It was a little disorienting, and I’m still not quite sure how I feel about it exactly other than it was just… weird.

All the same, Lughnasadh has come to take on yet another new meaning for me (I was musing as I wrote this post that it seems to be one of the festivals that changes for me in subtle ways all the time, and yet still remains my favorite of the eight). Rather than being a time to prepare and gear up for school and for being extremely active in an academic/work sense, it is now a time to breath a little sigh. I can look forward to quieter days ahead, more opportunity to take time off, my favorite local festivals and events, etc. It’s almost taken on a completely opposite meaning, and yet… It also heralds a time for myself to get working on projects. Newfound free time means work should be done on things like the blog, steps towards my future, my art, etc. It is only in working through these things I’ll avoid the brainfog that seemed to settle in between about November and June for me.

What is your relationship with the first harvest? How and when do/did you celebrate it?

Yours among the ripening apples,
Rachel

How To: Create Tarot Spreads

The Wild Unknown Tarot

Creating spreads for use with tarot can be an immensely rewarding practice. It can deepen your relationship with your cards and your knowledge of the tarot as well as providing more clear and specific information than a traditional spread might. Have you ever stared at a beautifully laid out Celtic Cross spread and puzzled over how exactly to interpret the card that came up, the position name, and your question all into one coherent answer? Perhaps it’s time to start building your own spreads! Below I’ve given three methods I use when creating spreads to use in readings for myself and friends.

Method One: Start With a Question

Seems easy enough, right? Sometimes, especially if you’re building spreads on the fly, it’s easiest to start with the question at hand. Let’s use one I’ve created as an example.

Two Paths Tarot Spread

I call this spread my “Two Paths Spread”. It was created when I needed some help deciding between a couple of different paths through the treacherous maze of my college education. I began with a simple “What happens if I choose X? What about Y?”

Then, I broke down what information I needed in order to feel that larger question was satisfactorily answered. I needed to know, for each path, the pros and the cons of choosing each path. I wanted to know what my biggest challenge would be on that path, and also how I’d best be able to overcome that challenge. Finally,  I wanted to know where I would most likely end up if I chose that path and followed the advice I’d been given.

I laid the cards out into two rows, one representing choice one, and the other choice two, and voila! The spread was born. To this day, this particular spread remains my most useful, as it can be applied to any number of choices. Stuck between three choices? Add another row! It’s pretty versatile and is driven by the questions I specifically want answered about a particular situation.

Method Two: Start With and Significator

Many spreads ask you to use an significator, a card chosen to represent yourself, the issue at hand, or the goal you want to achieve. Sometimes, picking an significator can be another great way to get some ideas for a spread. I’ll give a couple of examples:

Ace of Cups Spread

This particular spread was created for a friend, I call it the Ace of Cups Spread (simple, right?). He’d been having the Ace of Cups appear repeatedly and felt called to pursue the vibrant, healing, creative, and intuitive energy of the Ace of Cups, but wasn’t exactly sure how. 

So, I pulled the Ace of Cups from the deck to act as a significator, and placed it in the middle. Then, much like the last spread, I thought about what sort of answers we might want. The Ace of Cups, to me, always represented that which fulfills you spiritually, emotionally, and creatively. It is the Holy Grail. The cauldron of Awen bubbling forth. I wanted to show a comparison of how one is living in the present, and what modes of life would be more fulfilling in the ways the Ace of Cups is. So the questions “What am I doing now?” and “What do I want most to be doing?” were the first two cards to be placed in the spread.

No grail can be found without a quest. So I asked “What is it I lack to find this fulfillment?” and then “Where do I find that missing piece?” The final questions were about “Which blockages or challenges will I find along this path?” and “How do I overcome them to achieve that fulfillment?”

The Hunter's Arrow

Another spread I built around the use of a significator was The Hunter’s Arrow. It was meant to be used for pursuing a goal or a project through to fruition. Here, I also used the shape of a bow and arrow for inspiration. In this spread, the significator is chosen to represent the goal you have, and is placed right at the tip of the arrow. In the image above, it is represented by the Seven of Wands.

I used the shape of the bow as well as the answers I needed to formulate the rest of my questions. The curve of the bow itself represents resources readily at hand for accomplishing the task. The card directly behind the arrow’s point is the action needed to propel ones self in the right direction, and the three cards to the right represent short-term and long-term outcomes and the way in which the project may be transformed in the process.

Method Three: Start With an Image

The third way that I craft my spreads is to begin with an image as inspiration, much like some of the spreads I’ve crafted in the shapes of the constellations.

Orion Spread with Runes

Here is the Orion the Hunter spread I posted just a few days ago (I used runes because they photographed a little bit better in a confined space). Here I began with the image of one of my favorite constellations. I ordered the cards by the brightness of the stars (found in the index of Sandra Kynes book, Star Magic: The Wisdom of the Constellations for Wiccans and Pagans) and used both my personal associations with the constellation and folklore and mythos surrounding it to create the spread.

For me, Orion has always been a point of strength and familiarity when things get rough (cyclically in my life, usually in the fall and winter when he can be found in the southern skies of my home). I always felt that he was watching over me and lending me his strength (Kynes’ book also mentions the constellation’s associations with storms, rough times, and of course a number of warrior/hunter gods and heroes in myth). For this spread, I asked questions about the nature of my struggle, what things I had at my disposal, how I might shield myself, how to keep my wits about me when times were particularly rough.

The Raven's Prophecy Tarot

And that wraps up my process! The essential this really is breaking a question or a situation down into bite sized pieces of information to glean from it. You can start with a big question, a feeling or a goal you want to achieve, or an image you’re inspired by. The possibilities are limited only to you imagination.

Do you create tarot spreads? What is your process? Share your thoughts in the comments below!

Yours beneath the falling rain,
Rachel