Playlist for the Wylde Hunt

Another fun #2019GrimoireChallenge prompt from several weeks ago: music! Now I have different playlists for different moods: one that’s strictly speaking pagan tunes like Damh the Bard, Wendy Rule, S.J. Tucker, etc. for studying to; one that has music from Florence & The Machine, Stevie Nicks, Hozier, etc. that’s sort of my “witchy vibe” playlist; another of sea shanties that’s relaxing, but also sort of mournful and sad; one of musical scores from different films for writing to; the list goes on. What I wanted to share today though was my playlist specifically for The Wylde Hunt (the full Spotify Playlist is linked here and prolifically long because I like to be able to spend hours listening to music of a similar vibe). For purposes of this blog post, however, I’m going to pick 10 songs to share with you from it. So, in no particular order, just how they ended up in the list on Spotify:

  1. “Become the Beast” -Karliene Technically a fan-made song for Hannibal this is a wonderfully dark and spooky song that I had to include on my list. I actually have a lot of Karliene’s music on the playlist. She covers songs from films, writes music of her own, has her own renditions of some folk tunes, all around good stuff, and I recommend you check her out!
  2. I Don’t Speak Human” -OMNIA I also have a lot of OMNIA’s music on that playlist. This one speaks about humanity’s destruction of nature, and as the Wylde Hunt is sort of one with the forests, I saw it as particularly fitting.
  3. “Fehu” -Wardruna You might recognize this one from the show Vikings. It was used during one of the battle scenes in an earlier season of the show (Gods, I’m so behind on it; this makes me want to go back and binge-watch to catch up!). I can’t remember if I discovered the song before or after it was used on the show, but it’s got an awesome beat and makes me feel like going out and fighting all of my troubles. It’s a similar feeling to listen to the Pirates of the Caribbean soundtrack while you’re going about your day. You just feel as though you have more purpose and can accomplish anything.
  4. “If I Die In Battle” -VanCanto VanCanto was shown to me by my boyfriend a couple of years ago. They’re mostly an a capella group + a drummer. This song is freaking epic: the vocals are powerful, the video is fantastic, and really what isn’t there to love about an a capella metal band, yeah, you heard that right: a capella metal. Please. Go watch this. It’s worth it.
  5. “The Parting Glass” -Loreena McKennitt OR Damh the Bard I can’t pick a favorite rendition of this song but I deeply love both Loreena McKennitt and Damh the Bard’s versions of them, so here I have included them both. It’s a little less battle-song and more folksy. I like to imagine I’m sitting at a pub with the hunters, or maybe around their campfire as I hear this song. Also, not to be morbid or nihilistic: I really want this song played at my funeral. It’s sad, but like, in a parting-of-friends way. I dunno. I just really love this song.
  6. “Fith Fath Song” -Damh the Bard Because I love Damh and need to give him more attention in this playlist, I’ve added this song. Again, a bit more folksy than some of the others I’ve listed here. It reminds me of the chase scene between Cerridwen and Taliesin in their myth, and felt appropriate for something I could imagine one of the members of the Wylde Hunt singing. I have several of Damh’s other songs on the playlist. He’s long been one of my very favorite artists as far as pagan / folk musicians go. He also runs the Druidcast for the OBOD. I’ll link his website here.
  7. “Safe & Sound” -Taylor Swift & The Civil Wars Heading back into the dark and spooky vibe, we come to “Safe & Sound.” I’m not really a fan of Taylor Swift, honestly, but I really like this song, and the Civil Wars, which brings me to…
  8. “Kingdom Come” -The Civil Wars this beautiful and haunting song that just gives me all of the autumn, Wylde Hunt lurking in the trees sort of vibes.
  9. “A Pict Song” -Emerald Rose This one is again folksy and kind of got that rearing for battle kind of a feel to it. One of my favorite areas of history to study is the Roman invasion of the Celtic lands because it’s where much of what little we know about the ancient Druids comes from. Imagine wild hunters from the lands of the Picts, still bitter about Roman invasion. I just really love this song.
  10. “If I Had A Heart” -Fever Ray This is another one from Vikings, and another sort of dark, primal, spooky song.

Do you make playlists for your spiritual workings? What sort of music do you associate with your deities / guides? Share them in the comments below!

Forest Blessings,
Rachel

Parting

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When I am gone, my last slow breath
Adrift in the room’s stillness there,
Do not weep, nor seek, nor deny…
Where Death has come, in darkest depth,
I’ve risen thence into night’s air,
And Hunters lift me up to fly…

So find me in whispers of winds
That shake the cottonwoods; in light
From endless stars on coldest eves.
Hear singing- my voice- there adrift
On tides crashing in with the night.
See green- my eyes- in summer leaves.

And knowing wildness, you’ll know best:
I’ve flown with Hunters ever west…

Connecting with the Wylde Hunt

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Friday’s @2019grimoirecchallenge prompt deals with connecting with Otherworldly energies and working with them in spiritual practice. By now, I’ve made it sort of clear which spirits and the like I work closely with, so this post is dedicated to the Wylde Hunt and my experiences working with them.

So, briefly: The Wylde Hunt is a phenomena that occurs across northern and western Europe, and in some parts of North America. It’s characterized by spectral figures, horses, or hounds which ride through the night and generally create some chaos and terror. What it is they’re hunting or changing depends upon the myth you’re reading- in fact a lot of the elements of the hunt vary depends upon the version of the story you’re dealing with. It can include fae, fallen heroes, gods, spirits of the dead, etc. etc. I go a bit more into detail on this in this post here.

My particular Wylde Hunt seems mostly to be human spirits and fae. Goblins are sometimes included in that, and they’re all led by a horned deity that up until very recently I was referring to as Herne, but who has come to be known by a different name, which is mine alone to know.

My work with them started back in October of 2011. I was working on homework the one night and got this sudden and urgent nudging to go outside. I ignored it for probably a good twenty minutes, like “No. I need to finish my homework…” But it persisted, so I grab some tarot cards and a pendulum and head outside. And standing at the firepit in our yard is this beautiful white tail doe. And she stares at me, and we kinda stand there for a bit… and then I gently creep closer… and she bounds off away to stand over on this hill near the tree I usually leave offerings at. So we stare at each other again… and then I gently creep closer once more, until off she bounds into the northwest and disappears into the trees.

Now, this hill was where I was intending to go in the first place; I was really fixated on dragons and leylines and thought there was going to be a connection there or something, but now I was fixated on this deer and the forest- like I could feel her still watching me from the tree line. And the name Wild Hunt kinda… came to me. I’m sure I’d read it in passing a few times; I’d recently started my journey with Celtic paganism, so it was likely it’d come up. But I didn’t have any real prior knowledge or interest in it- until this point. So, I break out the cards and the pendulum, and that becomes the answer I get for the question: “Who’s trying to contact me? / Who has a message for me?”

So I start to do research, and most sources recommend not contacting the Hunt at all, because, well, they’re sort of notorious for being dangerous. But I decide that I’m going to reach out and figure out what they want: so I go back to the hill a couple days later and I say “If you wish for me to work with you, if this is a partnership you’re seeking, let me see crows or ravens within a week’s time.” Crows and ravens are my sort of sign that something is afoot magically speaking, and they’re relatively common in our area. So, when suddenly there’s no sign of them for 6 days… I’m getting worried.

Halfway through the 7th day: I’m waiting for my mom to pick me up from retaking the ACT, and there’s suddenly a whole murder of crows behind me making a whole bunch of noise. And I’m like “Woah. Okay. I hear you.” And I look back towards the parking lot, and beyond it, there’s a hawk or falcon or something that comes up from the forest there, does maybe three circles, and then dips back down into the trees.

It took some time for me to really figure out how they were going to become a part of my practice. Their leader was my patron deity, so that wasn’t so hard to figure, but The Hunt itself is another thing altogether. Like anyone with any real knowledge of fae, I’m reasonably skeptical when it comes to just swearing allegiance to things, making deals, etc. They seemed to enter my life at the most inconvenient times: right when things were tumultuous and changing dramatically. At some point I realized that was probably the point.

In the video post linked above, I discuss my beliefs as to what they are and what purpose they sort of serve in the grander scheme of things: essentially they are psychopomps and agents of necessary destruction and change. They shake things up and carry you from one state of being to the next. When I realized this, they quit being quite as scary.

It was October of 2014, I believe, that I really properly dedicated myself to The Hunt in a formal sense. I had made a poppet to represent myself and taken it under the Hunter’s Moon out into the grove where we did much of our spellwork and gathering. I left it there in the crook of an oak at the center of the grove, I made offerings of alcohol and incense to them, and I swore myself to their service, which included:

  • Maintaining my altar and sacred space as a place for them to rest and visit. Essentially, I entered into a mutual bond of hospitality: when I did journeying work, I often visited their camp. They also were welcome at my hearth.
  • Creating poetry and artwork which focused on their myths and legends as well as my own new experiences with them. I took up the mantle of their bard, and you’ll notice I still write quite a bit of poetry inspired by them.
  • Working with them through periods of change. When I need help to clear the way; when I find myself getting stuck in a rut. I call on them. It’s amazing how much more controlled change can be when you willingly yield to it rather than fighting it. I also became interested in taking a similar role myself: in helping others through periods of transitions. I intend to undertake celebrant training with the OBOD following the completion of the Bardic Grade to work rituals for funerals, weddings, etc. I want to be help in those periods of transition for other people.
  • Developing skills related to hunting, outdoorsmanship, etc. I’ve casually taken up archery as a skill I want to learn. I’ve tried to educate myself whenever possible about things in my local environments: trees, wildlife, stars and the cycles of the seasons. The more I understand, the closer I feel to them. This has also included trying to be more conscious about what things I leave as offerings, recycling, using less energy, etc. to help mitigate at least a little harm done to the environment, and to vote in favor of policies that will benefit and help the natural world. That last part feels more important than ever these days.
  • Riding with the Hunt. I’ve mentioned already that I do journeying and visualization work. Some of it includes riding with the Hunt. This bullet point also includes my beliefs about my afterlife- that I will join them following the end of my life, and ride with them forever more.

These are the terms of my working with them, and are by no means the terms everyone should or would want to seek out.

I contact them in a number of ways but some off the top of my head are:

  • Taking hikes in the forest.
  • Leaving offerings of whiskey, dried meats, or bread.
  • Drumming.
  • Reading my poetry aloud somewhere like my backyard or the forest.
  • Calling to them in ritual work.
  • Visiting their camp in my journeying work.
  • Lighting a candle for them on my altar.

My advice when approaching any entities be they gods, fae, angels, whatever is this: DO YOUR RESEARCH. Know what exactly it is you’re working with, how people have historically interacted with these beings, what sort of tales exist about them, what offerings are common, etc. BE RESPECTFUL! Just like you’d probably be pretty polite and considerate when meeting a new friend or potential employer, you want to be polite and respectful of the powers that be. BE YOURSELF. Don’t go posturing or doing anything unnatural though. They have a sense of humor, and there’s a difference between being polite and serious about what you’re doing and taking yourself too seriously.

Best of luck, and forest blessings,
Rachel

The Sacred Hearth: The Importance of Fire in my Path

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I’ve been on a bit of a creative streak the past few days. In addition to a new YouTube video, and a number of Tumblr posts, I’ve been working on a personal digitization of my thirteen years’ worth of study. I’m unfortunately not able to share that particular project because of the number of things not properly sourced in it, but I can share some of the ideas that come from it, and the original writing that goes into it.

This particular post is going to deal with fire and more particularly the hearth fire. Some weeks back, I’d made a post detailing my “must-haves” as far as tools of my practice go. In it, I included the lantern which I hold a space for on my altar in honor of my moon goddess, but I realized that I had failed to include something of equal importance as I was working on my larger grimoire project: my small “hearth” which is represented by a miniature chiminea candle holder and a more literal hearth that I carved out of Sculpey to represent the hearth shrine I have within my sacred inner space.

For centuries the hearth or the need-fire was a central part of the household and community. Fire kept predators at bay. It provided warmth, comfort, and light. It provided the heat necessary to perform the alchemy of cooking or preparing medical remedies. It was a gathering place; a place where music, stories, and wisdom were shared among members of the community. And, to an extent, this is still true today. Who doesn’t feel warm and inexplicably at peace and connected while around a bonfire, sitting beside a fireplace, or while cooking in the kitchen? Our modern hearths are a little different, but their sense of sacred energy remains the same.

For me, a large part of my devotional path with the Wylde Hunt revolves around the hearth. I light a candle in the little chiminea at the beginning of ritual. I bring fire there when I’m sitting down to meditate or study. I offer a spot beside the fire in my sacred space for my gods and guides, to share that peace and warmth, to hear their wisdom, to share my music and poetry with them.

The candle holder in question reminds me also of an oven or a forge, and the power fire has to transform matter. Alchemy takes place in the flames, and food or metal is shaped and fired into something new. So I light my candles there also to bring about that power: of turning knowledge gained into wisdom and practice. To forge ideas and energy into manifested results.

How do you represent fire in your sacred space? Which energies of fire do you honor?

Forest Blessings,
Rachel

What Makes a Witch?

grimoire challenge

Over on Tumblr (despite all the mess it now is) some folks have started up a #2019GrimoireChallenge which I am participating in. Since I’ve been having some fun with the prompts, I thought I’d share some of my favorite posts from the project here as well.

Tuesday’s prompt for Week 2 was “Witch, what does it mean to you? What type of witch are you?… Are there certain things you plan to learn as a witch? Certain goals you have?”

A witch, to me, is someone who practices witchcraft in some way: this can be spells and rituals, crystal healing, divination, artwork, devotional poetry, yoga, astrology, essentially the crafts of “The Craft”. A witch doesn’t follow a specific religious or spiritual path- they can be atheists, Christian, Wiccan, polytheists of any sort, whatever. Witches and witchcraft, for my definition of the term aren’t bound necessarily by any specific religious or spiritual paradigm, but rather in the practice of those arts.

I personally identify first as a Druid and Bard. My reasons for this are:

1. “Witch” is often conflated with “Wiccan” and as my religious beliefs and practices are NOT Wiccan, I find it easier to start at Druidry. Druidry is a nature-based spiritual philosophy which may be applied to a number of different sects of Celtic (and Indo-European if you’re a member of the ADF) polytheism as well as other more mainstream religious movements. Druidry is focused upon connection, care and respect for the natural world, and expression of creativity- usually with an emphasis on song and poetry I’ve found. It’s usually very much entwined with Celtic cultural values of hospitality, the sacred landscape, good humor and wit, etc. and as a spiritual philosophy is not as necessarily concerned with the “craft” part of my witchcraft definition.

2. My personal practice is, usually a lot less “witchcraft-y” and more spiritual. I spend a great deal more time wandering the woods, contemplating the universe and meditating than I do crafting spells and reading cards. Therefore to call myself solely a witch feels a bit.. fake.

If I were to define the type of witch I was, I would probably call myself a Druid-Witch, or a Witch of the Wild Hunt. Longtime followers of my blog will have noticed (scattered through here and probably difficult to find because when the hell do I ever actually post personal / original content?) that I work specifically with a version of the Wild Hunt and their horned god leader. For me, this path is first and foremost concerned with nature (particularly storms and the forest), connecting with it, knowing my local environment and its cycles and patterns, etc. On another level, I feel very much called to be a bard for said hunter deity. A lot of my path is made up of composing devotional poetry and artwork, recording the tales I uncover as well as my own adventures and growth. This path includes studying patterns of the stars- not just astrology but the actual dance of the constellations across my own sky. It includes keeping my home, and my altar, as hearth for my familiar spirits to rest and to speak with me. It includes journeying through trancework and meditation with those spirits and gods. But it very very rarely includes ritual, spell work, etc. I do those things, but they aren’t the bulk of what makes up my practice.

Right now, my “witchy” goals include finishing up the OBOD Bardic Grade course, learning palmistry, and taking up Welsh and harp playing as devotional work for my gods. There’s a long way to go, but I’m eager to get started.

Hunters’ Engyln

Over several months, I’ve been playing around with different poetry styles and formats, and so as Winter rears its head, a snow and Wylde Hunt inspired group of englynion for you all to enjoy!

Shrine to the Horned One

Heavy laden with snow, the pines leaning
With ice gleaming—bend in time
To hoofbeats: the seven-tined

Lord of Hunters, he cloaked in feathers comes.
Beating hearts drum—break tethers—
Vanish in mists and heather.

Riders on the icy night winds beckon:
“Heed not reckoning nor sin.
Wildness comes and stirs within!”

A Lament at Mabon

I’ve found myself feeling very disconnected and aloof lately. What follows is a bit of wax-poetic rambling from earlier this evening as I sat among the trees to enjoy the energies of Mabon, and the rising of the Full Moon.

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“Princess of Cups” from The Druidcraft Tarot, artwork by Will Worthington

Once I knew the language of trees
How each rustling of their leaves
Could mean so much—if only one knew how to listen.

Once I had so much definition in just that one thing:
That I could see their faces and
Read their leafy lips as they blew in the autumn breezes.
And now it seems so foreign…
Have I been so long in this land of fluorescence and brick?
Have I been gone so long that I have forgotten
How sweet the melodies of the forest can be?

Now it fills my heart not with understanding
But with a melancholy longing
For that which once felt so familiar to me, no—
That which still feels familiar—
But only the familiarity of a dream
As though in the very throes of sleeping wonder
I’ve been wrested from it by mundane duty.
Ephemeral on the edges of my consciousness:
Like flickering of faery light,
And distant horns of hunters that roam the evening skies.

In my heart, with each pulsing of the blood that flows through my veins,
I feel it… an echo.
An echo of something deeper—and much more profound and yet:
In my waking consciousness, I cannot quite put finger on that which I have lived before.
The melody haunts my eardrums and yet I cannot quite put to fingertips—
Or lips—the profound tune that catches in the wind and then is gone.

Faintly, my mind’s eye remembers beauty which no photograph, no drawing—
No painstaking sketch could ever come close to imagining.
On the tip of my tongue, the faintest taste of something… something…
Always searching for that which I cannot in waking consciousness grasp.

With each falling leaf,
With each howl on the wind that seems to pierce my very soul…
I want to remember
I want to wake up
Back in the place where trees spoke and moonlight bled between the branches on inky nights…

There were nights when I would run
From phantom figures in the trees,
Where I swear I heard the hoof-beats harrying me along dirt paths…

There were nights, long ago, that seemed to go on forever,
Where the cold dark eyes of a vampire
Haunted me in my sleep,
Where deep and sorrowful melodies pulled me into a sense of ecstasy.

There nights when I could hear the goddess calling me in the mists,
Her silver light a comfort,
A crow to show me the way…

And yet, now…

I cannot feel more than mere glimmers of what had once been
There was a time when I had tasted of Cerridwen’s cauldron—
When I could see the way energy moved through the land—
So apparent to my sight, that I felt one with them.

And now…
I am so trapped in that webbing of wire and artificial light
That I find myself balking at the very notion of sitting in my own yard past sunset.

And yet
Here I am on the verge of dusk,
Staring, trembling, into the forest—
As if on this night of all nights
Something will come to me that will wake me from this madness

On this grassy marshland hill,
Perhaps I’ll find a wonder—or a wound…
Like blessed Pwyll, of Dyfed before me,
Perhaps my lady in white will come riding by to take me back to that place of understanding,
That place of oneness…

Perhaps the dark hunter will blow his horn
And carry me upon his steed and into the western winds.

Or perhaps,
I will have sat here, my heart broken open,
Only to return again tomorrow
To that endless drudgery of everyday life…

Hymn to the Winter Hunt

Winter is nearing its end here as Imbolc approaches, but the howling snows that have returned to Michigan this week make me feel as though we’ve still some time to go. This poem was originally written for the winter issue of Ink & Fairydust, an e-zine of fanfiction, poetry, spiritual writings, and other various creative works. Being that it’s been out for some months, I wanted to finally share it here…

Hymn to the Winter Hunt

When the cold winds from the northwest blow,
When the moonlight casts its silver glow,
When the dark skies threaten snow
T’is then I hear their call.

It echoes through dark forest and fen-
A droning horn- and silence then
That makes the wary traveler ken
The truth behind the squall.

In the icy blasts of wind that cut
Through clothes and doors kept tightly shut
There is a pounding. Do you seek what
Lies out there in the thrall?

The Horned Man on rugged beast
That hunts the boar to make his feast
Or maybe like some darkened priest
Beckons you to heed the call.

To ride on winds above the ice,
To give the greatest sacrifice,
And surrender to that which does entice…
Are you ready for the fall?

Or perhaps, in swirling dark
You’ll fly just like a meadowlark
And find some light, a warming spark
Of truth behind it all.

Take heed, take heed oh you who go
To travel in the ice and snow
For hunters harry you as you go-
Death comes to us all.

A Tarot Spread: The Wylde Hunt

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Shown here: The Wildwood Tarot

Hello, all. I promised myself I would do some more posting this week, and school and the like got a bit crazy. However, I do have this to share with you guys: a tarot spread I designed based on the Wylde Hunt.

The Hart: Describes the goal you are/ perhaps should be pursuing

The Hounds: These cards represent what things/people might help you in the pursuit of your goal. They help you to ‘sniff out’ and track your progress, and assist in bringing you to your goal.

The Forest/Environment: This position describes external forces that might be affecting your pursuit of this goal: possible obstacles OR favourable conditions.

The Hunter: You in this situation, and how you are handling the hounds and your environment in pursuit of this goal.

The Arrow: The action you should take to really cement your success and ensure your goal is met.

What goals and dreams are you pursuing? What is it your soul is searching for? And what things will help you along your way?

Forest Blessings,
Rachel

Collected Poems of the Wylde Hunt

Below are a number of poems I wrote, mostly on my older blog, about the Wylde Hunt. I thought I’d share them all here!

The Hunter’s Horn

Can you hear the Hunter’s Horn,

Sounding in the forest deep?

Can you hear the pounding of hooves

When night creeps in and people sleep?

In the dark night can you feel

That rush of wind- that fleeting chill?

Standing in the night-time wood

What will be his latest kill?

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Image found here.

The Hunters’ Chase

Tripping o’er the roots and stones,

Slipping in the mud and scattered leaves I run-

The horde thundering after me.

Heart pounding in rhythm with their drums

I carry on through darkened forests deep

Horns and bays of hounds

Tear through the trees after me.

Silver slivers the moonlight glimmers down

Through barren branches

Lighting there upon the path

Leading me deeper.

Drum beats faster

The flight continues.

Will I live or will I die?

Hunter’s horn is sounding closer

Behind, I hear their haunting cry,

But won’t look back now o’er my shoulder

Won’t turn around; I cannot stop

The pounding rumbles; it’s all I hear

They plan to chase until I drop.

Thrilling ever is the chase

That leads I know not where.

But were I to lose this frenzied race

What things would

Meet me

There?

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Image found here.

Call of Herne

Hazy-eyed dreamer

You long to be

In the tangled wood

Amongst the trees

To feel the pulse

The forest’s charm

That pounding, that burning

The hunters’ drums

Starry-eyed poet

Arise! Awake!

The Hunter calls you

Your future to take!

Lose yourself

To the wild, the thrall

Join the riders

And the squall

Curious wanderer

You’ve come too far

Can you still see

Those distant stars?

Forget the path

The way you came

Join us now

Where there is no shame

Hazy-eyed dreamer

In your gaze I see:

Your fate is set

You belong with me.

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Asgårdsreien (1872) by Peter Nicolai Arbo

Whispers of the Autumn Court

You’ve heard us your whole life

That raspy whispering from the trees that beckons and tells you

You’re one of us…

You were afraid once

The unknown darkness overwhelmed you

Above all sense of truth you found in our words.

So we waited

Our eyes boring holes in your soul

Holes that would open into gaping wounds as you struggled

Desperately to find answers to your own darkness that came

Flowing out in roaring waves, crashing and cascading

Until you could see now in dazzling horror

The darkness that dwelt within.

The path gone before you, you stumbled into our realms.

Ours was the world of dankness and seeping chill

Of rot and decay beneath the vibrant greens

Of flash-fire autumns that gave way quickly to winter’s barren bones.

Your fingers clawed in the earth

The hoof beats of hunters drew near- a sense of foreboding you had not yet learned to hear.

You’re one of us, we told you…

Renewed strength- or was it adrenaline?- you ran

Thorny branches tearing limbs and cloth,

Thick roots tripping, ripping foot and calf and shin

The horns bellowed, the hunter rode fast

And you clung to the gleaming lights that sometimes came down from the trees

Baying hounds harried you, close to brink of exhaustion

We called out: Do not fear! Do not run!

For you are just as we are.

Escalating into a clamorous cacophony the chase of hound and hunter grew closer, closer…

Until you found yourself in the hunter’s arms

Pressed against his chest as darkness drew in around you

And in his embrace you saw us clearly

Glowing eyes blinking under tree and fern

We are darkness and dampness

We are nibblers at bone and gnawers of flesh

We are decay and rot, flash-fire brightness and brittle shells

We are hunters and slinkers in dank forest shadows

Rooted deep in the mysteries of death and decay

And the last breaths of life

Fascinating and undeniably terrible…

And you

Are one of us…

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Image found here.

Return of the Wylde Ones

Stained in shades of bloody red and orange rust

The leaves drift down silently

Beneath the squall of crows-

Hidden in the occasional thud! of fallen acorns-

Something is awakening.

The air is scented with death,

The smell of rotting leaves, moist in the dark soil.

The breeze brings chill,

Moans through branches growing ever more barren

The insects have turned into their silent places-

No cicadas or crickets to be heard anymore.

As I stand in the wooded grove,

The quiet of the forest

And shimmering last rays of golden sun

Wrap me in their embrace.

Peace can be found here, but something lingers

A bitter taste on the air of something yet to appear.

The wind dies, the silence occasionally punctuated by another

Thud! Snap!

More nuts and twigs falling to the forest floor…

The darkness settles, and I sense what had slumbered there begin to awake.

Glimmering, coal-black eyes peering from roots and mushrooms

A teeming of life that had been hidden

In the radiance of the daylight’s fading gold.

These were the wild ones.

The creatures of folktale and legend,

Those our mothers would warn us of.

They watch me with a curiosity,

Resting there in the dark amongst the trees.

But something else is coming

Another force approaches…

At first they are dull, hardly distinguishable from the pattering of acorns

But then, it registers on the edges of my awareness:

Hoof beats coming from the deeper trees

The Hunt has come to ride again.

2

Image found here.

Riding With the Hunt
The leaves above me rustle and whisper, glints of golden sunlight filtering through an opulent canopy of orange and gold. Now and then, a creature scurries by in the undergrowth and fallen leaves. Though the sun is setting quickly, there is a certain sense of peace in the quiet of the woods. The winding ravine paths lead me to the edge of a jagged cliff, looking down into the tumbling depths where a river once flowed. A gust of wind catches my jacket and scarf, laughing, almost threatening to send me over the edge on which I stand. That’s when I catch it: the subtle drone on the breeze, as if a horn was being blown off in some distant part of the wood.

Stillness follows. Branches creak, almost from the burden of motionlessness- as if the very act of remaining still for too long will cause their limbs to weaken and break. Acorns fall with quiet thuds as the muteness creeps in. A lone whisper of a breeze blows past my ear: “You are one of us… Come and ride amongst our ranks…” With a smile, I nod, closing my eyes and allowing myself to be carried away.

In the arms of hunters, I soar over the crimson wood. Further up, I can see the Grand River as it cuts through the forested landscape, carving its way towards the city and beyond. My stomach turns in the way it might on a rollercoaster. We tumble through autumn breeze and storm cloud, laughing in the madness of it all. First a burst of icy fog, then a swirl of leaves caught from a tree nearby, leaping into darkened damp masses of cloud that rumble at our touch. Then, as suddenly as it began, I am plunging downward again, careening towards the forest and the ravines from which I had risen. We fall down, down through branches both barren and gilded, down past barky trunk and forest creature and into the depths of soily crag and dampened slope.

My consciousness returns to my physical form with a gasp. Eyes wide, I see that darkness has fallen around me. The ghostly whispering breeze blows gently past. In its wake, leaves scuttle ‘round my feet, muttering a raspy farewell. For now, I must leave the realm of root and rot, of moss and bark, for the land of brick and steel. I know, however, that this place will be awaiting my return…